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@Image1 is a shopping bag reference. Read the EXACT design of the bag in @Image1 — its full color scheme, logo, text, patterns and proportions — and reproduce that shopping bag identically in the video. The bag's branding and design must stay perfectly consistent and clearly readable. FORMAT: 9:16 vertical, 15 seconds, found-footage POV, native audio. STYLE: raw GoPro action-cam aesthetic, ultra-wide fisheye lens with barrel distortion, heavy chest-mounted handheld shake synced to motorcycle vibration, motion blur on fast pans, low-light video noise and grain, crushed blacks with deep shadow, the ONLY light source is a single harsh motorcycle headlight beam carving a cone through total darkness — pitch black beyond the beam. Cold-warm tungsten headlight, blown-out highlights where the beam hits leaves, green foliage glowing in the light pool, packed dirt road texture. No visible rider, no visible bike body, pure first-person helmet-cam perspective. [00:00-00:02] Shot 1: THE RIDE. First-person POV barreling down a narrow dirt road cutting THROUGH a dense dark forest at night — tall trees, thick trunks and heavy undergrowth crowding in close on BOTH sides of the road, branches and leaves hanging overhead, deep black forest behind every tree. This is clearly a forest road, NOT an open field, NOT a steppe — the woods press in tightly all around. The headlight beam bounces and jitters violently with every bump, dust motes drifting through the cone of light, the road curving gently to the left ahead. Tree trunks and leaves flicker past at the edges of the beam. Audio: roaring single-cylinder motorbike engine, gravel crunching under tires, wind buffeting the mic, faint forest night ambience. [00:02-00:04] Shot 2: THE BRANCHES. The road bends left where a fallen leafy branch droops across the path forming a low arch, half-blocking the view, dense forest still tight on both sides. The camera plows through the hanging leaves — wet foliage smears and whips directly across the lens with chaotic motion blur, leaves slapping the frame, the beam strobing through gaps. Audio: leaves slapping and rustling hard, branches scraping, engine continuing. [00:04-00:06] Shot 3: THE BEAR. Bursting out of the leaves, the headlight suddenly slams onto a massive brown bear standing in the middle of the forest road just ahead, standing HALF-SIDEWAYS / in three-quarter profile, calm and unsuspecting, not expecting anyone to come through. The motorcycle rolls right up to it and the front wheel actually bumps and presses into the bear's body — a real contact nudge with a soft jolt that shakes the camera. The bear startles, snaps its head toward the lens, eyes flashing bright in the beam, and immediately erupts into an aggressive roar, lunging one threatening step toward the camera. Audio: sudden engine brake, a soft thud of the wheel touching the bear, a deep aggressive bear roar, rider's panicked gasp. [00:06-00:08] Shot 4: THE STANDOFF. A pair of human hands enters the bottom of the frame raising a double-barreled shotgun, leveling it dead-center at the bear. The headlight stays locked on the animal as it freezes mid-roar, eyes going wide, registering the gun. Behind the bear, half-lit at the edge of the beam, the exact shopping bag from @Image1 is sitting on the forest ground. Audio: sharp metallic shotgun cocking click, tense silence, low engine idle, forest ambience. [00:08-00:11] Shot 5: THE BAG. The bear's whole demeanor flips to comedic — it rises onto its hind legs, raises both front paws innocently as if to say "nothing to see here," then reaches behind itself, picks up the shopping bag from @Image1 and sets it down on the ground in front of itself. It pulls a small portable Bluetooth speaker out of the bag and sets it down. The speaker switches on — upbeat fun music starts playing from it. The bag's design from @Image1 stays clearly visible and consistent. Audio: playful grunts, a soft speaker power-on beep, then upbeat catchy music kicking in from the speaker. [00:11-00:13] Shot 6: THE DANCE. Standing on its hind legs, the bear starts dancing energetically to the music — bobbing its head, swaying side to side, waving its front paws to the beat in a goofy comedic routine. The shaky headlight beam follows its silly movements, the bag and speaker on the ground in front of it. Audio: upbeat music continuing, the bear grunting playfully in rhythm. [00:13-00:15] Shot 7: THE ESCAPE. Still dancing, the bear shuffles sideways off the road and bounds away into the dense black forest to the side, vanishing quickly between the trees, its rear end wobbling comically as it flees. The headlight beam swings to follow then loses it in the darkness, the bag and speaker left behind on the road. Audio: music fading with distance, rustling, fading heavy footfalls, engine settling, forest night ambience. Physics & constraints: motorcycle headlight is the sole light — everything outside the cone is pure black, but the setting is unmistakably a road INSIDE a dense forest with trees crowding both sides, never an open field or steppe. Camera shake remains aggressive and handheld throughout, fisheye barrel distortion consistent, real low-light video noise. The front wheel makes real physical contact with the bear before it reacts. The brown bear's fur, size and face stay consistent across all shots — realistic fur physics, weight and animal motion, believable until the comedic dance, then exaggerated and playful. The shopping bag must match @Image1 exactly in design, logo, color and text, clearly readable whenever visible. Foliage reacts physically to being pushed through. No on-screen text, no subtitles, no watermark — only diegetic engine, wind, foliage, bear sounds and the music from the Bluetooth speaker.